With the approach of April Fool’s Month (one day is not nearly enough!), it seems appropriate to conclude this year’s Women’s History Month coverage, with a bit of silliness — Photo Funnies from the April 27th, 1895 issue of the New York City publication, The Standard.

Click on the above & below pictures, to view the cartoons in detail, and better read the words within them.

The Standard was one of a handful of 1890s/early 1900s periodicals, that fairly regularly featured photo funnies (or, “fumetti”). Sequential photographic comic strips were hardly something new — going back to the late 1850s in the format of series of stereographic cards — but it wasn’t really until the 1890s that printing technology allowed for mass, cheap reproduction of photographs in magazines and newspapers. I suspect there was a certain degree of overlap between printed photo funnies and stereograph sequences (there are certainly instances I’ve spotted of cartoonists stealing from stereograph sequences — and vice-versa). And even more likely, an overlap in camera crews, actors, and studio sets involved. But I’ve not yet explored that possibility.

At any rate, the type of comedic material The Standard (and at least one other parallel publication) regularly featured — as you can see in the example shown here — tended to be more out-there risque than American & British (at least) stereoviews tended to go.

The “sequence” of events in these photographs (and to be more accurate, some of these have combined images of photographed players, placed atop/in front of cartoon or drawn backgrounds; with the last scene, below, being purely cartoon), is somewhat artificial. They all refer to the same/similar incident, but I’ve rearranged them to read in a more fun, sequential manner — this is not the order they appeared in the magazine.

Finally, I’d like to point out the similarity of the above 1895 photographic comedy, with the below panel from an 1851 comic book I posted here earlier this month… (Clicking on the below picture, will take you to that comic book.)

Doug Wheeler

NYStandard

Above, The March of Science: Electricity at Christmas, by artist Harry Furniss, from the 1879 Christmas issue of The Illustrated London News. At this time, electricity — on the brink of lighting cities — was still more a toy of the rich, used in parlor games. One popular activity, shown at the bottom, was to have a long line of people hold hands, and pass an electric shock through all of them! (No, I am not making this up!)

Click on the above page, to view the cartoons in detail, and read their captions.

The above page was part of a Victorian Age Christmas Comics book I once put together, that went nowhere. I’ve been holding those cartoons back the past several years, but, this month will see several pages from that never-published collection.

Click on Tigwissel Tuesdays and/or Christmas Comics, to find prior postings in those “series”.

Doug Wheeler

Above, The Flight of Intellect. Portrait of Mr. Golightly experimenting on Messrs Quick and Speeds’ new patent high pressure Steam Riding Rocket. By artist George Edward Madeley, and published by Charles Tilt, most sources estimate this cartoon to have originally been published circa 1830.

Some web sources, though — such as the blog site Voyages Extraordinaires, Scientific Romances in a Bygone Age, which is following its own path covering Victorian Science, similar to our own Tigwissel Tuesdays but not as concentrated on cartoons — propound that “Mr. Golightly” was an actual person, Charles Golightly. According to the afore-mentioned website (which, by the way, has color versions of the above and below cartoons), “In 1841, the English Mr. Golightly took out the patent for an aerial steam rocket, intended for personal aeronautic use.” If true, then obviously the usual “circa 1830″ date given for the above cartoon, is a decade too early.

However, I have serious doubts concerning the veracity of Charles Golightly having been real. While some people are named “Golightly”, the odds of someone by that name having patented a fantasy personal rocket in 1841, is highly unlikely. The name smacks of satire. Plus, my own guess at the date before I’d seen others’, was late 1820s to 1830s, based on what I’ve seen from that period. My own searches (limited to the incomplete resources of the internet) have not found any references to “Golightly” combined with “rocket”, other than cartoon references. None of the sites propounding that Charles Golightly was real, offer where that information came from. As we here at Tigwissel Tuesdays know, our own namesake character has been the subject of misinformation for decades, due to one person making an unsubstantiated statement, followed by a great many who, not bothering to do research themselves, simply repeated that misinformation, until it became a widely repeated “fact”.

But one of the biggest doubts, is raised by the British publication Picture Magazine, which reprinted the above cartoon in 1893, and from whose pages I scanned this image. Click on the image, to see what Picture Magazine had to say about it: “This is one of the innumerable skits which appeared at the time of the introduction of Railways, and is specially directed against Stephenson’s first locomotive, ‘The Rocket’.” Robert Stephenson’s Rocket locomotive was built in 1829.

Click on the above & below pictures, to view the cartoons in detail, and read their captions.

This image of a man riding a rocket, was copied numerous times by other cartoonists, some of whom acknowledged the original source. Each of the cartoons below, come from the Library of Congress website. Each of these, involve Mr. Golightly as a gold prospecter, using his rocket to race to the California gold fields, in the Gold Rush of 1849. Clicking on the titles of the titles of these cartoons, will take you to the Library of Congress site for that picture. Clicking on the pictures here, will enlarge them.

Below, Mr. Golightly, Bound to California. His words — difficult to make out even in the enlarged view, are, “I wish Jemima could see me now, goin through the Firmament like a streak of greased lightnin on a Telegraph wire; I guess she’d feel a sorter vexed that she didn’t pack up her fixins and go long — When I get to Californy I’ll let others do the diggins while I do the swappins!”

Above, close-up of Mr. Golightly, from the top left of the below 1849 broadsheet cartoon, The Way They Go To California, by artist Nathaniel Currier.

Below, from the Oakland Museum of California, we find another Nathaniel Currier broadsheet cartoon — Grand Patent India-Rubber Air Line Railway to California.

A group of “passengers” are shown, sitting upon a rubber band, which apparently stretches all the way from West to East Coast. While behind them, a worker chops at the East Coast end, to send the passengers on their way to California! In the distance, top left of the cartoon, we see Mr. Golightly making his own way to California.

Lead Passenger: “It looks awful foggy ahead, yet I think I see something shiney at the other end. Bless me he is cutting away. When it goes, I hope it won’t jerk my head off.”

Next Passenger: “If that chap don’t mind his eye, I’ll larn him.”

Third Passenger: “Hold on tight, he is going to cut…”

Fourth Passenger: “O Lord deliver us from evil!”

Sixth Passenger: “Och! Teddy darlint don’t ye feel quare to be sthraddlin a sthring?”

Fifth Passenger: “Faix an I do, Judy; but howld on tight as we’ll sthraddle the lumps of gould ferment the whole pack of thim.”

Seventh Passenger: “Who’s Afraid, I ain’t.”

Eight Passenger: “What a peeples! What a peeples!”

Worker, Cutting: “One, two, three, four and five, off they go all alive.”

The Museum of California website lists what the text along the bottom says.

Finally, after writing above, I found this posting about the Mr. Golightly cartoons, at io9.com, where author Ron Miller has not only posted three additional Golightly cartoons than we have here (plus some alternate hand-colored versions), but, raises further doubts about the questionable existence of a “Charles Golightly”. It frankly sounds to me that the 1841 British patent, was entered as a prank by someone familiar with the earliest cartoon versions.

Next week, more up-to-the century (or older) comic scientific developments, from Tigwissel Tuesdays!

Doug Wheeler

On March 3rd, 1876, a shower of meat — estimated to be about a “horse wagon full” — rained from the sky, near Olympia Springs, Kentucky. This created an excitement amongst numerous scientists, some of whom investigated at the scene, and many who tested the meat to determine what it kind it was, from samples sent about the country.

My favorite explanation, of the several scientific analysis reported on the website “Flesh Falls” (click here to visit that site), is:

Author William Livingston Alden, "argues that just as meteors are fragments of planets that have been broken up and float around earth in 'belts', there are likely belts of 'cosmic meat' from the inhabitants of these former planets. He argued that the Kentucky meat rain was in fact a meteoric rain of this cosmic meat." 

The various reports from a variety of professors of Science, inspired artist Livingston Hopkins to put his own recurring comic strip character, Professor Tigwissel, on the case. And so, within the March 18th, 1876 edition of the (New York) Daily Graphic newspaper, we find the Professor in his Tenth published appearance, titled, That Kentucky Meat Shower — Professor Tigwissel’s Investigation.

Click on the above comic strip, to view it in detail, and read the captions beneath each panel.

Our having reached Tigwissel‘s 10th appearance, this seems like a good time to do a review of the character’s appearances so far — all of them by his creator, Livingston Hopkins.

August 6th, 1873, The Baseless Fabric of a Vision, presents the 1st appearance of Hopkins’ Tigwissel prototype, Professor Simple. Simple strongly resembles the eventual look of Tigwissel.

Click on any picture below, to be taken to the individual posting explaining that episode.

July 8th, 1974, Tales of the Comet, Professor Simple’s 2nd appearance. Also found in this strip, is another character — “Mr. Tigwissel”.

February 22nd, 1875, a character who in appearance looks like the “Mr. Tigwissel” of the above strip, engaged in the scientific pursuit of Phrenology — and on our own artist, Livingston Hopkins, no less!

May 28th, 1875, Professor Tigwissel’s Life-Saving Apparatus. For Professor Tigwissel’s 1st appearance, Livingston Hopkins has now largely taken the look of Professor Simple, but (permanently, with this appearance), swapped in the name “Tigwissel”, from its previous use.

Professor Tigwissel’s 2nd appearance, July 3rd, 1875, The Day We Celebrate. In it, Tigwissel gets into a tussle with a Dr. Jingo, whom Hopkins will later give a second strip appearance of his own.

July 28th, 1875, the Professor’s 3rd appearance, in Professor Tigwissel’s Arctic Experience.

Tigwissel’s 4th appearance, consist of a few panels buried with the August 7th, 1875 strip, Midsummer Musings by our Cynical Artist.

Tigwissel’s 5th appearance (and for several decades heralded as his debut appearance, by authors who swiped from other sources, without bothering to research the matter on their own) — September 11th, 1875, Professor Tigwissel’s Burglar Alarm.

September 25th, 1875, the Professor’s 6th appearance consists of a couple cameo panels, in The Calendar of Fashion — Calling in the White Hats.

Professor Tigwissel went rogue on his 7th appearance (you’ll have to click on the picture, and read the posting, to find out what I’m referring to), in the December 11th, 1875 episode, Professor Tigwissel’s Trip Up the Nile.

In his 8th appearance, January 10th, 1876, we learn of Professor Tigwissel’s Experiences with New Forces in Nature.

On January 15th, 1876, we got Tigwissel’s 9th appearance — Professor Tigwissel’s Journalistic Venture.

And of course, at the top of this posting, you’ll find Professor Tigwissel‘s 10th appearance. And, there are quite a number of Tigwissel strips yet to come.

Of course, those who have been following it, know that there’s more to Tigwissel Tuesdays than just Professor Tigwissel. I’ve made those who merely want to see the Prof’s next episode, suffer, by inserting other old cartoons and strips involving Science and comic scientists, such as the below examples, wherein…

…we find other bald-headed, bespectacled Scientist types, by other artists, contemporary with Hopkins’ Tigwissel…

…cartoon parodies of U.F.O. sightings, back in 1897…

…the true peculiarities of actual scientists/inventors — in this example, Thomas Edison’s great idea for Concrete Furniture…

…and the adventure of a famous boy and his talking dog, in learning about Chemistry…

Next couple weeks, more dragging out Tigwissel Tuesdays with the scientific misadventures of others. And also, eventually, more actual Professor Tigwissel episodes! If you want to be here when they pop up, you’ll just have to stick it out!

Doug Wheeler

ProfTigwissel NYDailyGraphic

From June 1912 — back in the days when baseball actually was “America’s Favorite Pastime”, and a favorite topic of America’s cartoonists — come the following Cartoons Magazine extracts. My usual “and others” for contributions by lesser cartoonists not being tracked, does not even appear today, as all the contributors are stars.

Above left, kids keeping hold of the integrity of baseball, against the adults (right), who in 1912 were embroiled in the scandal of fixed games. Warning against gambling in the sport, is Boardman Robinson, while spotlighting the kids’s view, are James H. Donahey, A.B. Chapin, and Robert Ripley, six years before his first Believe It or Not!. This is Ripley’s first appearance in Cartoons Magazine. Of possible interest is the title of the cartoon positioned next to Ripley’s — “Truth is Stranger Than Fiction”. Any chance that this might have been a subtle seed-planting moment, as the young Robert Ripley, early in his career, undoubtedly looked upon the page of his first appearance collected amongst so many other fellow cartoonists, including the one placed next to his?

Below, the Winter Coal Trust replaced with the Summer Ice Trust, in a cartoon by Billy Ireland, using baseball to take a swing at monopolies. Beneath that — slipping in here because I didn’t pay enough attention to separate this page’s cartoons by subject — is another cartoon on rigged commodity markets, this time by Frank Michael Spangler.

Click on the above & below pictures, to view the cartoons in detail, and read their captions.

Doug Wheeler

W.A. Ireland

Above, “Flighty Philosphy; or, Tupper’s Tamed Gunpowder”, from the July 2nd, 1881 edition of the British humor weekly, Funny Folks. The cartoonist here is making fun of then recent comments by poet & philosopher Martin Farquhar Tupper, that manned flight might be achieved by means of electricity, which he had referred to as “tame gunpowder”.

Taking Tupper’s comments out of context for purpose of parody, the above grouping of cartoons focuses instead on the “gunpowder” aspect, imagining traveller’s shot out by canon — with Tupper himself featured as such a flying (or, “flighty”) tourist.

I attempted via internet search to find Tupper’s comments that sparked this, and failed. But instead came across references to other British comic periodicals, making fun of Tupper for this same comment, all around the same time. Implying that there was indeed a basis for these jokes.

To view the above cartoon strip in detail, and read its captions, click on it.

For more Science-related parodies, click here on Tigwissel Tuesdays.

Doug Wheeler

BritFunnyFolks

For this week’s political primary-free Tigwissel Tuesdays, we look at one of the earliest modern UFO sightings — and quite possibly the earliest to be lampooned by cartoonists — the Illinois UFO Mania of 1897.

Above, a close-up from the cartoon, Appearance of the Air Ship is verified from Various Localities (in full, below). Click on the below cartoon, to enlarge its detail, and to see that the various “astronomers” pointing their “telescopes” at the mysterious air-ship are, in truth, all sticking their faces into giant bottles of alcohol…! (With the exception of one person, who is “viewing” the air-ship via an opium pipe.)

The above & below cartoons, come from a scrapbook of early 1897 Chicago-area cartoons (mostly clipped from the Chicago Tribune).

Beneath, a second cartoon depicting the incident, titled A Day with the Air-Ship.

Click on the above & below pictures, to enlarge the cartoons and view them in detail.

Doug Wheeler

ElectionComics

It’s been a year since we last took a peek inside local vanity cartoon books. This particular set of the 1%, somehow got left out the only other time I cross-referenced the Vanity Cartoons series, with the Wall Street Frauds series.

Background: In the early part of the 20th century, most American towns had at least one newspaper, and many of those newspapers employed their own cartoonist(s). Some newspapers took to publishing caricatures and short biographies of local figures. Other local persons of import (or, who at least felt they were important, most notably local manufacturers and businessmen), wanted in too, feeling such caricatures to be recognition in their community that they were part of the elite – in addition to simply being good advertising. The desire to be caricatured evolved into book collections of cartoons of local (mostly business) figures, who subscribed to that book collection, wherein everyone in the book bought at least one copy of the book, thereby paying for its creation, and advertising to everyone else receiving the book, who was “in” in their community.

Click on the above & below pictures, to enlarge the cartoons and view them in detail.

This first pair of caricatures — immediately above & below, were scanned from the 1906 collection Californians As We See ‘Em.

Above, a would-be Tea Party hero if ever there was one — back in an age when Child Labor was legal, workers could be expected to work 7 days a week, 12 hours a day, workplaces had zero safety standards, and employees were fired without compensation if they got injured — yes, back in that day — Alphonzo Benjamin Bowers, inventor of the hydraulic dredge, decided to have himself pictured as battling the “Hydra Headed U.S. Government Infringement Dragon”, with a sword emblazoned with the words, “For My Rights”! (The Tea Party would like to return us back to the state of laws before even this Alphonzo.) Bowers is known to have sued multiple companies for violating his patents. As these companies were doing government work, I’ll guess that’s where his animosity to the government is coming from.

Below, Stockton, California capitalist, H.H. Griffith.

Above & below, from the 1911 New York City Them As Is Because, are Wall Street stock brokers Bruce McKelvie and Derby Crandall. Bruce doesn’t care if his customers’ stocks goes up or down, as he’ll get their dough, either way.

Above & below, from the 1905 Southern Californians As We See ‘Em, are Los Angeles National Bank President, W.C. Patterson, and, Central National Bank President, William Mead, both flush with cash.

To find prior episodes of this series,click on Wall Street Frauds Make Wonderful Cartoons. And, to find earlier posts concerning financial reforms in general, click here.

Doug Wheeler

Financial Reform

For today’s Women’s History Month posting, our selected cartoons all purport to show the future results should women be granted equal rights. Such cartoons — drawn by men — were often used to express anti-suffrage viewpoints.

The above cartoon posits that gaining the same rights as men had, would result in women sinking — in imitation — to the moral character of men. Why Not Go the Limit?, by Harry Grant Dart, was published March 18th, 1908, in Puck magazine.

Click on the above & below pictures, to view the cartoons in detail, and read the text inside them.

An Event of the Near Future, below, by Godwin M. Sheppard, takes the same theme still further, showing the start of the feminization of men, left to gawk wonderingly, outside the entrance of a Women Only club. (Loose page) from an unidentified 1890′s issue of Puck.

Next, the rise of women turns the feminization of men complete, in a wedding of the future In the Year 2001. Published originally in the New York World, this was scanned from a contemporary reprinting of it in the April 27th, 1895 issue of the New York City magazine, The Standard.

We end with a previously shown 1913 pro-Women’s Suffrage cartoon by Harrison Cady, published in Life magazine. Barred Out depicts the utopia that would result when women gain the vote, outlawing saloons, salacious theatre, red light districts, and seedy hotels. Women, concerned with the welfare of the family, would be certain to instead support the construction of libraries, schools, and public playgrounds!

Doug Wheeler

NYPuck NYLife NYStandard

Next, for Women’s History Month, we pay a second visit to the Vineland, New Jersey, Dress Reform Convention.

A major element targeted by 19th Century Woman’s Righters (not yet called Suffragettes), was what women wore. Women’s fashions were viewed as part of what kept women in servitude to men, as popular dress designs (for the privileged, at least), made difficult to impractical, work and travel. Women were looking to eliminate the ages old “who wears the pants” argument, by designing fashions that gave them pants, as well.

Click on the above & below pictures, to view the cartoons in detail, and read their captions.

I previously posted the below January 24th, 1874, (New York) Daily Graphic front page, by artist Gray Parker, in which Parker had parodied that year’s Dress Reform Convention. He basically depicted the women’s outfits as ugly, and the participants even uglier. (A basic tactic used up thru the 1970′s, by male cartoonists depicting “Wimmen Libbers”, whether it be by politically conservative cartoonists, or, by mainstream artists in the pages of MAD Magazine.)

Above, the Daily Graphic & artist Gray Parker returned to Dress Reform Convention again, for the front page of the Graphic‘s August 14th, 1875 edition. Given a second opportunity, and a year-and-a-half to think of what jokes he could have drawn the first time, here goes wild with it. As with the majority of cartoons contemporary with the struggle for women’s suffrage, those women seeking equal rights (and the men depicted as emasculated for supporting them) are the butt of the jokes.

Doug Wheeler

NYDailyGraphic